Mood Violet

Life de luxe in a smaller scale
Monday, July 14, 2014
Mood Violet
A golden voice in an imperfect world born.  Violet Waters, the famous jazz star, was celebrated as such in her country, yet much more revered in Europe. Her story is not unlike the lives of many of other talented artists such as Bessie Smith, Billie Holiday, Nina Simone, Lena Horne who faced great challenges and triumphed by the sheer force of their artistic gifts and resolve.


Violet Waters joins Gene Marshall and Madra Lord once again as the edgar allan poe doll reigning beauties of Monolithic Studios thanks to the collaboration of artist Mel Odom and JAMIEshow Dolls . In her ” Satin Doll ” iteration, Violet is perhaps at her most gloriously exquisite.
For this Dolldom exclusive feature Miss Waters, in all their ” Smooth-J ” resin gorgeousness and non-toxicity, poses wearing some irrefutably memorable fashions and hair designs. The past and the present meld to offer dollectors a gift of beauty, unadulterated and enjoyable playtime, and of course, music.
Special Appearance. Violet Waters wears her very first gown and her trademark orchid.
The gown, designed by José D’Saenz, is delicately beaded in iridescent sequins and pearls.


At Radio City Music Hall, Violet enchants in “Evening Sunrise” designed by Tim Kennedy. Violet’s wig is by Ilaria Mazzoni for Time of Doll .
Spring Offering. Violet wears “Jonquille” and desgin by Integrity Toys first issued for Madra Lord. Dolldom believes that on Miss Waters, the look evokes a more exquisite flower. “Phoenix” wig cap by JAMIEshow Dolls .
Chanson d’automne.
Violet wears the classic “Autumn Lace”, one of many gowns produced by Ashton-Drake for the famed singer.
Mystère. Violet appeared in the Jean Cocteau film Les passe-temps terribles along with Trent Osborn. Her wardrobe was designed by DAE Originals . In this still from the film, Miss Waters models “Simply Smart” in rich chocolate brown.
What A Swell Party! Monolithic Studios’ stars unite to wish studio chief Reuben Lilienthal a happy birthday. Miss Waters intones the customary song in “Twilight Rumba” designed by Doug James.
Transatlantic Voyage. In “Mood Indigo” designed by José Ferrand, Miss Waters boards the Queen Mary with her band. First stop: Paris, City of Lights!
Once in Paris, a wonderful new look: :”Undulation Marcel!” Rooted wig cap by JAMIEshow Dolls .
At sunset. A serenade.
In “Sunset Serenade” created by Integrity Toys, Violet sings of golden love.
Bloom Boom! Violet Waters was asked to model “Garden Party”, a Deborah Silva design inspired by Jacques Fath, at a fundraising luncheon benefiting Central State College’s scholarship fund, where her father was a literature professor.
For the original version including any supplementary images or video, visit Mood Violet

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The Perennial Question: To Debox Or Not?



 I was browsing through a 1996 issue of Barbie Bazaar earlier today and came across this opinion piece written by A. Glenn Mandeville who was the Price Guide Editor.


You can click on the article to bring it up to it’s original size which will make it easier to read.
Everything blueraspberrydesigns.com he wrote is still valid today especially the part about enjoying ones dolls. Although his article is directed at Barbie Doll collectors, much of it is applicable to other 1/6 scale doll collectors, namely those who collect Fashion Royalty.
Do you debox?
For the original version including any supplementary images or video, visit The Perennial Question: To Debox or Not?

Ficon Miss G And Sybarite Luggage



Before I even received my gold luggage set, I received an email explaining that the factory had made flawed pieces and that I could have a refund or a replacement. Bummer.  I got the luggage the next day and the gold material on the surfaces of the pieces was, indeed, flawed in several places.
nullSad because this item is just adorable. The insides are lined in fabric and have pockets, mirrors, straps and fittings you’d find inside human luggage. The straps and hinges and other metal components on the exterior are perfect. There’s an embroidered tag for each piece as well.
I’ll be able to use them as a prop even though they are flawed. I wonder what color I’ll get for my replacement. I’m hoping it’s not green. I would like the black but it’s not up to me.
Here blue raspberry designs is Miss G wearing a wig by Cheryl Wood. Her outfit is a Ficon fashion called “Tree of Joy.”
It is still available on the Ficon website.
For the original version including any supplementary images or video, visit Ficon Miss G and Sybarite Luggage

A New Life

A New Life


Cissette! Cissette? Cissette. 
The ten-inch Madame Alexander Doll Company tiny star has been working steadily since 1957. Vintage models aside, there is a slew of hard plastic babes floating around the world of closets and garages dressed in fashions that range from ballooning lace flower girl creations to exacting recreations of a famous literary or movie characters. Easy to find and to acquire 1980’s Cissette and Portrette dolls (with their twinkling sleep eyes that sometimes freeze and require the gentle nudge of a finger to open or close) deserve to be saved from their unfortunate state of limbo and be given a proper glamorous and beautiful life.
But where to find the fashions that will allow Cissette to lead the aforementioned existence? Who in the world of freelance doll artists understands the needs and the potential of this tiny glam puss? Liz Cole of Retros , of course. For this Dolldom exclusive, Liz created a vintage-inspired yet revolutionary wardrobe that combines quality of fabric and construction and the sense of humor that a doll like Cissette needs in order to shine brightly in the real of fashion dolls.


Flower Girl. When properly done, there is http://blueraspberrydesigns.com/ nothing wrong with wearing the color of flowers or a tulle over magenta silk cocktail dress. When the proportions are correct, Cissette is no longer a lace and tulle balloon. She’s a sophisticate. 
Starlet Power. This is not the way this doll was meant to look. She was a sedate “Little Woman” who is now ready to rule the 1950s Hollywood scene in her slinky and sparkly Lurex gown and recycled mink (from a vintage human coat) stole. Bold gold chain by Joy Jarred. Sunglasses are vintage original. Her sandals are from the Tiny Kitty Collier line of dolls.
Satinée. In emerald silk satin brocade, Cissette cuts a very luxurious yet traditional figure. The pillbox is pure 1960s…
But behold what occurs when she takes of her enveloping coat! A figure hugging silk dress with waist corsage gives Cissette a different outlook on life. Bring out the canapés!
Now…
There are times when Cissette’s professional life (the preceding photos depict Cissette enjoying her hours of leisure) call for a more sober take on the same design. In a beautiful wool tweed, the A-line coat is perfect for meetings to plan the next issue of a magazine or to defend unjustly accused dolls in court.
A green-grey silk dress cut with a longer hem spells elegance and fashion know-how.
Lace, You Say? Yes, lace. There is a way to do lace that will not offend the senses. And here you have it. Based on a vintage design, this new version features a lace over silk jacket and black shantung slacks.
Flapper? In her own way. This 1920’s Flapper model turns into a major fashion maven in her red and black separates. The skirt exemplifies Retros’ philosophy that nothing made today beats a witty vintage print. A black Lurex top and red silk turban are absolute necessities if the goal of the doll is to be fabulous.
Boy Magnet! Cissette can and will (if you give her the opportunity) turn heads at your next doll party! Visit Retros’ sensational boutique and give your less-than-twenty-dollar-e-Bay-find a new life of fun.  White tuxedos also by Retros .
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For the original version including any supplementary images or video, visit A New Life

The Beatrix Girls “lark” By Popstar Club



The Toy Box Philosopher
Reviews and opinions about dolls and doll-related toys.
Saturday, October 11, 2014
The Beatrix Girls “Lark” by Popstar Club
The Beatrix Girls are 12 inch dolls that represent a group of four (teenaged?) friends who are in a band together.  Each character sings, plays an instrument, and writes music.  The girls are designed to be role models for young kids because of the talent, determination and hard work that have made their band a huge success.  The Beatrix Girls are manufactured by Popstar Club LLC, a new California-based company that plans to focus on cross-platform products.  The dolls are part of a multi-media world that includes short (live action) webisodes and tracks of pop music.
When I first saw the Beatrix Girls dolls on the shelves at Toys R Us last year, I was turned off by the huge heads and facial expressions on these characters.  Frankly, the combination of wide eyes, angrily-slanted eyebrows and large smiles made these dolls look sinister to me.  However, the body proportions on the Beatrix Girls reminded me of Pullip and Blythe dolls, and I couldn’t help but wonder if this brand might be an interesting and inexpensive alternative to some popular large-headed collector dolls.
Over the past year, many of you have encouraged me to take a second look at The Beatrix Girls.  I took your advice, and will admit that by the third or fourth time I saw these dolls in the store, the faces started to seem less angry and more appealing.  However, I was still bothered by the fact that the first release dolls did not come with their instruments (nor were the instruments originally available for separate purchase).  This was an oversight for a doll brand designed around music.  Last May, however, I was able to find a Justice exclusive version of the redheaded character, “Lark,” who actually came with her bass guitar.  I decided to purchase this doll for review and paid $24.99 for her through Amazon (where she’s now on sale for $20).  Incidentally, all of the newest Beatrix Girl dolls come with instruments, and the instruments have also recently been released in separate accessory sets.  Here’s my Lark:
Beatrix Girls “Lark” $24.99.
There are three other Beatrix Girl characters in addition to Lark.  There is Ainsley (the drummer), Brayden (the guitarist) and Chantal (the keyboard player).  As far as I can tell, there have been three releases of these characters so far: the first wave basic dolls, the Justice exclusives (which are the first wave dolls with added instruments and stands) and the newest dolls from the “London Tour” collection.
Before I review Lark, let me show you some of the other dolls that are available in stores right now.
From left to right: London Brayden, London Lark and first wave Chantal.
At my Toys R Us, both the new London collection and the first wave dolls are in stock.  The first wave dolls have been reduced to $9.99 and the newest dolls cost $19.99.
The picture below shows the new Lark doll on the left and the older Brayden doll on the right.  The new dolls have bigger boxes to accommodate the instruments and stands:
Thank goodness “Girls” isn’t spelled with a “z” in this brand!
Since the new dolls don’t have much of an online presence yet, I’ll show you a few quick pictures of them.  Here’s the new Ainsley (having some hair management problems):
The new, very purple Brayden (also with extremely big hair):
I think of Brayden as a boy’s name…
The purple lips are not my favorite.
Chantal:
Great lip color, but she has creepy red rims around her irises!


And here’s the newer version of the character I am going to review, Lark:
Notice that this version’s hair is curly and she has bangs:
Also at my store were the dolls’ instruments, sold separately for $12.99.  The instrument sets also include a microphone and a doll stand–everything that was missing from the first wave dolls.
Here’s Chantal’s red keyboard:
The piano keys are all one big sticker.
Ainsley’s pink drum kit:
I prefer the more detailed silver version shown in the early webisodes.
Brayden’s guitar:
And there was also a set with Lark’s bass guitar, but this is the same as the bass that came with my doll, so I’ll show that to you later.
My Lark doll is the same as the first wave Lark doll, but she comes with her bass guitar and a doll stand–so it would be like buying the first wave Lark and her instrument pack.
The Beatrix Girls come in mostly plastic packaging shaped like a partial tube:
The transparent sides of the tube are decorated with several decals.  One advertises the doll as a Justice store exclusive and another is in the shape of a speech bubble and has a little poem about Lark’s personality:
She says:
I get in your face
I’m in every race and 
I come in first place.
When I imagine role models for young girls, I don’t picture them getting all up in people’s faces, but maybe I’m just old fashioned.
There was something about the simplistic rhyming and disconnected subject matter in this poem that made me morbidly curious about what the other girls’ poems might say.  So, I did some field research.  
Here’s Ainsley’s poem:
I shine like the sun,
But my drumming’s like thunder!
I like what they did with the sun and thunder contrast, but I am not crazy about the “warm like mid-summer” analogy.  I know what they’re getting at, with Ainsley’s warm personality, but I can only think of the sweaty kind of warm.  I guess this is better than “lazy like mid-summer,” though.
They lost a little steam with Brayden’s poem:
Hey! I’m Brayden
I write the songs,
You sing along!
It feels a little bit like Brayden couldn’t think of what to say next, so she just shouted “SUPERSTAR!” and then started ordering people around.  
They gave up completely with poor Chantal’s poem:
I’m Chantal
Oui, oui!
Facepalm.
Apparently, Chantal is French Canadian.  This is cool, but Chantal’s high-pitched fake French accent in the Beatrix Girls webisodes is not so cool.  It would have been neat to have an actual French Canadian girl play that role, but I understand that the budget was probably limited.
I was moved to write my own little poem for you:
I’m Emily!
Do I like Chantal’s poem?
No.
Do I like her fake French accent?
No! No!
Anyway, there are a lot of tangents here, and I am getting a little snippy–sorry.  I need to focus.  
The back of the box is made out of transparent plastic that reveals an underlying cardboard backdrop. The cardboard has some more details about Lark and the Beatrix Girls:
Irish ancestry would explain Lark’s bright red hair, and also her food preferences and apparent fondness for Boston:
Girl after my own heart.
I like all of these things except for baked beans.  Those remind me of another simple poem.
There’s a descriptive paragraph about Lark on the back of the box.  She explains in her own words why she enjoys the bass (because it “shakes the ground”) and also introduces her passion for extreme sports.  
Lark’s fashion preferences include ripped jeans, combat boots and wearing “sneakers with everything.”  Incidentally, this doll isn’t wearing ripped jeans, combat boots, or sneakers.  And I don’t see how she can wear sneakers “with everything” if she also enjoys combat boots from time-to-time.  Hm.  Also, she claims to steer away from pink, but pink is the only accent color in her mostly-black outfit.
There’s a small cartoon of Lark under this description.  I think the doll looks way better than the box art:
There’s a picture at the bottom of the box that shows all of the dolls in the series.  
For contrast, here’s the group picture from the newer London collection:
The dolls in the store all had hair that was much curlier than this.
Lark’s box has a purple satiny ribbon on the top.  This was meant to be a handle for the box, but mine arrived untied:
There are a few pieces of tape that had to be cut at the top of the box, but then it was possible to remove the lid and slide the doll and the backdrop right out.  
Lark and her bass guitar are attached to a molded plastic support. Most of the attachments are stretchy clear rubber bands that are easy to cut, but Lark also has a clear plastic strip tightened around her forehead.  The majority of Lark’s long red hair actually goes through the plastic support and hangs down between the plastic and where the cardboard used to be. This method kept the hair very tidy in back:
The bass fits into an indentation in the plastic, and is also secured with tape:
In addition to her guitar, Lark comes with a “VIP pass” that allows free membership to something.  I haven’t been able to find a club or any other exclusive online content on the Beatrix Girls website.  This is probably a discontinued feature, since it appears that all of the videos and music are available free-of-charge on the website.
I didn’t spend a ton of time on the Beatrix Girls website, but I did listen to a few of the songs and watched most of the webisodes.  The webisodes have a home movie-type style, where the dolls themselves are interacting with real people in live-action adventures.  When the dolls move, it isn’t stop action animation, but visible hands moving the characters around.  This style takes some getting used to, but it would be easy and low-tech to replicate, which might provide nice inspiration for kids who want to make their own movies.
The earlier webisodes seem to be featuring prototype dolls.  There are some notable difference between these dolls and the dolls that ended up on store shelves.  I will touch on a few of these differences throughout the review.  Also, Ainsley’s character starts out with a regular voice and then adopts a Southern accent in the more recent episodes.
I am not good at gauging someone’s age from their voice, but the girls in the webisodes sound like tweens or teens (especially Brayden) while the singing voices seem older to me.
Back to Lark!  My doll came with a plastic stand that is secured into the bottom of the packaging:
Usually when I display everything that comes in a doll box, I am able to get the doll to stand alone–even if it’s just for a few seconds.  Lark absolutely cannot stand on her own, though.  Even with her shoes on and a lot of careful balancing.  Her head is simply too heavy:
So, I had to figure out how to use the stand right away.  It’s a fairly simple stand with a hard plastic waist grip.  The waist grip is not adjustable, but it does spin around:
The stand fits snugly around Lark’s waist, but it interferes with the positioning of her belt:
I was especially eager to get a close look at Lark’s face.  In particular, I wanted to cover up those severe eyebrows to see if that might make a difference in her expression.
Not only are Lark’s eyebrows unusually angled, but her eyes are really enormous.  She has very bright leaf-green eyes with large black pupils.  The absence of detail in her irises gives her an especially intense stare.  She has heavy eyeliner on her upper eyelids, and individually-drawn lashes on the lower lids:
Lark also has a lot of very small freckles that are scattered across both of her cheeks and between her eyes.  Her smiling mouth has simple lines and a wide band of visible teeth:
Lark’s triangular, upturned nose is absurdly small in comparison to her eyes.  The combination of this pointy nose and the huge forehead make for a very atypical profile: 
Lark’s ears are also visible in the picture, above.  Her ears are small and have a very simplistic shape that reminds me of a teddy bear’s ears:
Here’s Lark’s face with her hair out of the way:
I removed Lark’s eyebrows from one of the pictures, below, to see how it would alter her appearance:
To me, this is a dramatic transformation.  I think that without her eyebrows, she looks friendly and even a little sweet.  Her green eyes are still a bit too big and bright for my taste, but I find them much less startling without those eyebrows.  
I think perhaps the intent with these eyebrows was to make Lark look a little edgy–a girl with some attitude.  That’s fine, but there’s not a consistently edgy feel to this doll, so the eyebrows seem out-of-place.  Also, you don’t actually have to be edgy to play a mean bass guitar.
I did a quick digital eyebrow replacement to see how Lark might look if I ever muster up the courage to re-paint her:
I’ll need to work on that.
While looking at Lark’s face, I was constantly sidetracked by her long hair.  I didn’t think much about this doll’s hair when I bought her–other than the fact that it’s a beautiful bright red color, of course.  When the doll’s in my hands, however, it’s hard to think of anything but her hair.
Lark has great hair.  Not only is the two-toned color very pretty, but the hair fiber feels really good and the cut is unique and flattering:
The hair is long and silky–hanging all of the way down to Lark’s ankles.  It is cut into a variety of  jagged layers that give the style a rugged-but-feminine quality:
I especially like the shorter layers around Lark’s face because they tend to hang over her eyes and give her a charmingly disheveled look:
Unfortunately, the shorter layers of hair around Lark’s face can also shift around in such a way that the rooted scalp is visible:
There was a mild amount of crispy hair product in the upper layers of Lark’s hair, but this was easy to brush out.  Here’s the hair right after I finished brushing it:
The hair is rooted into a nice center part on the top of Lark’s head (this is a good place to see the two-toned color of her hair, too…):
But the sparse rooting on the back of the head makes it unrewarding to style Lark’s hair into smaller ponytails:
Here’s another view of the rooting on the back of the head:
The hair feels pleasantly thick and heavy, though, and can be styled with small clips and barrettes:
The hair can also handle a high, tight ponytail in back:
The shorter layers are hard to contain in this style of ponytail, though, and will fall out and hang around Lark’s face after a while (which looks pretty cute):
Overall, I really like this hair.  I especially enjoy the silky feel of the hair fiber and the long, textured layers.  I am not tempted by any of the new Beatrix Girls because none of them have straight, smooth hair like this doll.  The curly hair might be equally well-done, but I tend to prefer the easy maintenance of straight hair on this grade of play doll.
Lark is wearing a black belted dress over ripped leggings:
In the early webisodes, the Lark doll is wearing ripped jeans, a sporty green shirt and what look like Converse-style sneakers.  Here are some screen shots from the “Late, Great Beatrix” webisode:
I think this casual style fits Lark’s personality better than a lacy black dress with pink accents.  If I ignore my perception of Lark’s personality, though, I like the dress for what it is.
The belt has a silver metal chain accent against a mostly-pink background:
The skirt has a full top layer made out of black lace with a hint of glitter in it.  Under the lace, there’s a tighter-fitting plain black underskirt:
The black knit leggings peek out from under the skirt and have pink satin ribbon trim on the cuffs:
The leggings have several intentional rips in them.  The knitting near these holes is beginning to unravel in some areas.  The holes also make the leggings difficult to get onto the doll–her feet want to poke through the ripped holes rather than the pant legs.
The belt is completely separate from the dress and opens in back with a small square of velcro:
This is a very cool belt.  I love how the chain is actually made out of metal.
The stitching looks chunky on the inside of the belt, but that’s just to accommodate the thick links of the chain:
The black dress opens all of the way down in the back with velcro, so it’s very easy to get on and off.
I love how this dress is all black, but has several contrasting textures that make it interesting.  I especially like the scrolling corded trim on the bodice and sleeves:
The leggings have a fairly tight, but slightly flexible waistband.  The ribbon-trimmed cuffs are also a little tight and have to be pushed over Lark’s calves.
Lark’s outfit also includes black plastic boots:
The design of the boots is simple, but they compliment the style of the outfit, are easy to get on and off, and stay on well.
I wonder if the area at the top is meant to be black socks?
I have to point out again, though, that these are neither sneakers nor combat boots.  Maybe they’re meant to be high-heeled shoes inspired by combat boots…?
Not approved by the Navy SEALS.
Lark is also wearing a hard plastic bracelet with a silver-painted stud pattern.  This bracelet has a tiny plastic peg-and-hole clasp:
So, given Lark’s completely black outfit and its mix of materials, I assumed that her body would be pretty badly stained in some areas.  I was particularly worried about the dark (tight-fitting) knit leggings.  However, miraculously, she is almost entirely stain-free.  I have no idea how the Popstar Club manufacturers pulled this off, but it’s remarkable.
The absence of stains was not my only surprise when I inspected Lark’s body.  She was also hiding nine points of articulation under that dress:
Lark’s body is made mostly out of hard plastic, but her arms and lower legs are flexible vinyl.  Her bendable legs and tiny feet make it hard for her to stand upright–even in her stand or while being held.  For that reason, you’ll see her shoes crop up again in several of these pictures to help with balance.
Lark is articulated at the neck, shoulders, elbows, waist, hips and knees:
Notice her unusual-looking hip joints!
She is not articulated at the wrists, which wouldn’t be such a big deal except for the fact that the dolls in the early webisodes are shown with awesome wrist articulation.  I took a few (low-quality) screen shots of this for you:
You can even see the metal pin construction of the wrist joint in this last picture:
Articulation at the wrist seems like an especially good idea for musician dolls, and I wish the company hadn’t cut this feature.  I double-checked the newest dolls and they don’t have wrist articulation, either.
Lark has an exaggerated hourglass figure that looks appropriate for a mature adult.  This is slightly odd because the voices of the Beatrix Girls on the website sound like kids to me–or maybe young teenagers.  The singing voices are more adult, though, so there’s a moderate amount of contradiction here.
Lark’s back is marked with a 2012 Popstar Club copyright:
I used Lark’s stand for several of these body shots, and in doing so noticed that it has a little head rest at the back–to support Lark’s oversized head:
Good idea!
This is a clever little feature that really helps Lark stand upright.  However, when I turn Lark’s head to the side (her head can spin around but doesn’t look up or down) it disengages the head brace…
…and the rotating waist grip causes Lark to levitate sideways:
It’s a cartwheel stand!
The rotating waist grip certainly makes Lark less secure on her stand, but it might be fun for some unconventional posing.  I’ll have to check that out a little later.  In any case, it’s a good thing that the newer releases of these dolls come with stands.  It’s quite an essential accessory given the weight and size of the heads.
Larks’ shoulders and elbows both have rotating hinge joints:
Right out of the box, Lark’s elbows (and to a lesser extent her shoulders) were hard to move.  It takes a few gentle manipulations to get these joints up to speed.
The shoulders and elbows are both fairly stiff joints, even after they have been moved around for a while.  The shoulders have a good range of motion, but the elbow joints are pretty limited–they can only flex to about 140 degrees.  The elbow flexibility is noticeably reduced from what is depicted in the earlier webisodes (the commercials and the later webisodes are accurate, though).
Webisode articulation.
Actual articulation.
Lark can’t touch her face, nor can she reach up and touch the side of her head.  The best she can do is touch the loose strands of hair that are falling near her face.
The only place on Lark’s body that has any staining is the back of her arms.  This area doesn’t come into contact with any of the dark clothes–just the colored cardboard backdrop:
Looks kinda like mildew.
Lark’s waist is a simple pivoting joint:
The cut of this joint is angled, so that when Lark twists to face backwards, her chest tips up:
The hip area is the most unique region of this doll’s anatomy.  The hip sockets are very high-cut and have an oval shape:
This unusual shape gives the legs a great deal of forward and sideways flexibility, but not much movement past the buttocks in the back:
Lark can do very high leg kicks to the front:
And she can also lean forward really well when she’s seated on the floor.  She can’t touch her toes or anything like that, but this is a great reach for a doll whose knees are positioned so close together:
She can also sit up nice and straight in this position…with a little support from her arms:
To show off a little, she can even lift one knee while she’s seated on the ground like this:
Lark’s large hip hinges allow her to do very nice side-to-side splits:
But she struggles a little with the front-to-back splits because of her heavy head and her reduced backwards leg movement:
Lark’s knee joints are also rotating hinges:
Her lower legs are made out of flexible vinyl, which gives them some additional movement. The legs are not as rubbery as Bratzillaz or Bratz doll legs, though.
I love rotating knee joints, because they allow for a lot of fine-tuning in how a doll stands or sits.
Lark’s flexible legs make it so she can kneel and balance on her own:
Lark has a bit of a hard time sitting in a chair, though–or at least in this slippery plastic chair.  If she grabs the back of the chair with her knees bent (left, below) the chair tips over backwards almost instantly.  I was fortunate to capture that shot just as she started to fall.  If she sticks her legs out and grabs the back of the chair (right, below), she can sit without falling over :
She can also lean forward to keep her balance in a chair, but this looks less relaxing:
Notice how messy Lark’s hair was getting in the photo, above.  This is because it was truly a wrestling match to get her to pose in that chair.  She must have fallen over fifteen times in five minutes.
A little late in the game, I realized that with her hair down, Lark has much better balance.  That heavy ponytail was not helping her:
See, Emily?  I was born to sit in this chair.
The dolls I was most interested in comparing to Lark were my large-headed collector’s dolls like Pullip, Tangkou and Blythe:
Tangkou “Loli,” Beatrix Girls “Lark,” Pullip “Shinku Rozen Maiden.”
My Tangkou doll, Loli , is broader and taller than Lark, but the Pullip doll, Shinku Rozen Maiden, looks fairly similar in proportion.  Pullip’s body is a bit too big for Lark’s dress, but I wonder if Dal-sized Groove dolls would be compatible?   I no longer have a Dal in the house, so I can’t confirm this.
Here’s Lark next to my (skeptical) Blythe doll, Phoebe:
Beatrix Girls “Lark,” Blythe “Phoebe Maybe.”
Phoebe is a little wider in the chest and hips than Lark, and so while Blythe clothes fit loosely on Lark, Lark’s dress is too tight for Blythe dolls (it doesn’t close all of the way in back).
I think Lark’s face looks especially angular and harsh next to the eyebrow-free Phoebe.
I also wanted to compare Lark to another inexpensive large-headed play doll, my Cutie Pops Crown Cuties Crystalina :
I really love the Cutie Pops concept and am sad to see them gone from my local stores.  I also prefer the Cutie Pop faces to Lark’s harsh expression.  However, I’ll readily admit that Lark’s articulation is far superior.  
Beatrix Girls and Cutie Pops have similar enough proportions that they can share some clothes.  The Cutie Pop dress doesn’t do much for Lark’s style…
…but I really like Crystalina in Lark’s more sophisticated dress.  Looking at this combination makes me wonder: if Jada Toys had aimed the Cutie Pops at an older audience, would they have been more successful?
While the La Dee Da mad hatter art doll dolls also have small bodies and oversized heads, Dee and Lark are very different in size and cannot share clothes:
Lark reminded me a bit of Disney’s Ariel doll , too…until I saw these two side-by-side:
Not too much in common here.
Going out on a limb, I also wanted to compare Lark to Monster High and Ever After High dolls.  I was surprised to see that while Monster High Clawdeen looks very skinny next to Lark, Ever After High Apple is in the same body size range:
And, in fact, Lark can share some clothes with the Ever After High gang:
For the original version including any supplementary images or video, visit The Beatrix Girls “Lark” by Popstar Club